![]() ![]() “It looked like an adult’s drawing imitating a kid’s drawing,” said Lee. ![]() Despite the art director’s effort to imitate a child’s drawing, the crew decided to recruit Lee’s children when it did not go as planned. Her children also contributed to the production by featuring their drawings when they were needed as props. Her husband, Will Kim, an art instructor at Riverside City College, worked alongside her as an environmental animator. The production also became a family project for Lee. The only time everyone wanted to get together was for the wrap party.” “It’s new to everyone to work on everything online but surprisingly helpful,” said Lee. Lee never saw herself working on an opera project, but when art director Yee Eun Nam contacted her about the job, she decided to take the opportunity.Īs a remote project, most of the staff, including Lee, were based in Los Angeles, but a couple of the crew members worked from New York and France. Lee also hired Daniel Quijano, a former student, as an assistant animator to prepare the materials for animation like dividing layers and cleaning up the background. Working alongside lead illustrator and character designer Rodrigo Munoz, Lee animated Munoz’s drawings using After Effects, a motion graphics software. The production combines three different narratives - Edgar Allen Poe’s original story, the story of a girl named Luna from Guatemala City and references of an American story shown through archival images. “It was very different from working with usual animators or filmmakers but lots of fun.”įinding new ways to replace its usual in-person performances, The Boston Lyric Opera created an animated project with its adaptation of Philip Glass’s opera. “It was my first time working with theatre people,” said Lee. Cal Poly Pomona art lecturer Jian Lee collaborated with the Boston Lyric Opera as a character animator for its most recent production, “The Fall of the House of Usher,” last month.
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